同一对男女恩索和叶原幸福地生活在一起。一天，一场严重的交通事故发生，恩索重伤，妹妹恩哈去世。恩索残疾，恩哈的女儿宋敏成了孤儿。现在，恩索和叶原有权接管宋敏。带我回家是一部质疑家庭意义的电影。事故发生后，叶原说：“我们不是家人吗？怎么能因为发生的事而抛弃一个家庭成员？“恩索回答说，“家人？谁承认我们是一个家庭？“三位妇女按叶原的意愿生活在一起，她们希望成为一个家庭。他们似乎生活得像一个快乐的（相似）家庭，他们每天都在做日常活动，去海滩游玩。但是，就像恩索的绝望反应一样，世界的规范阻止他们成为一个家庭。这部电影的真正优点是在结尾。这部电影不像乔恩的诗《常春藤》那样，没有一个快乐或悲伤的结局，而是坚持选择快乐的道路，即使走弯路也不急。
Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
